Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.
The film tells the story of Raja Ravi Varma at a certain stage in his life. He is in the process of painting a masterpiece. The theme of his painting is Pururavas, the legendary king who fell in love with the heavenly nymph Urvashi, who later agrees to become his wife on certain conditions, but disappears without a trace when she discovers that the conditions were violated. Pururavas wanders all around to find her and ultimately does get united with his lover. Ravi Varma, during his work, finds himself attracted to his model Sugandha Bhai and this relationship begin to acquire certain shades of the legend of Urvashi and Pururavas. Together they are thrown into a torrent of love and passion from which they find it difficult to scape.
A middle class man fights with various financial troubles due to overpopulated family resolves them by resolving family conflicts.